By Troy Balmayer
Christopher Nolan returns after his ‘Dark Knight’ trilogy duties, with probably the grandest big screen event release this year. It might be a slight pushy to compare it as this movie calendar’s ‘Gravity’ but it certainly fits in that realm. Stunning sci-fi, outstanding performances and the long dark quiet of space to shock you into awe. At nearly three hours long, it can certainly be said that this is an epic tale, there are moments that lull or stretch scientific imagination a tad far but it’s great to see something so bold be conveyed on the screen it deserves to live on.
Living in a bleak and dusty future is widowed Cooper (Matthew McConaughey) and his children Tom and Murph (Timothee Chalamet & Mackenzie Foy). Crops are dying and the only profession left to aspire to is being a farmer to try and save humanity. Though after stumbling on a secret building Cooper realises to try and help Earth he must leave it. A wormhole has opened up leading to the chance of interstellar travel and the hope to find a planet habitable for the world’s population.
That’s as far as I can really go in terms of detail, that’s the bare bones without spoiling more of the inner workings of the plot and the science backdrop. Sufficed to say, on the whole this script by Christopher and Jonathan Nolan is filled with gorgeous sci-fi material, it’s very intelligent in places too and can definitely be classed as one of the cleverer blockbusters to be released in a long while. Saying that, some of the terminology may lose audiences and non fans of sci-fi may not enjoy the film. It also loses itself in places just because the movie length is long, moments yawn out too much and one significant twist to do with dimensions feels drawn out and glossed over in reasoning of how. There’s know how there but it will 100% lose quite a lot of people.
As with all of Nolan’s recent films, you can go in expecting glorious spectacle. The landscapes they discover are beautiful and worrying. The feel of the craft spinning or just floating in space leaves you watching with a powerful sense of wonder. After quite a non-impactful opening set up of character and location, the true art of Nolan’s mastery is revealed up in the inky magic of space. Icy sheets, wave ridden worlds and rippled wormhole delights truly engage you, the IMAX is the best way of seeing these images. The 70mm photography is majestic and though it probably looks alright on a standard screen, IMAX is Nolan’s area, picture and sound quality are amplified to perfection and truly immerse you into this crisp new solar system.
In keeping with the sound, Hans Zimmer conjures up a brilliant score to accompany the visuals of this film. Striking out with more tense ridden dramatic sounds that pile on pressure and suspense in relation to docking on a ship or lovingly crafting more slowed down eerily filled blurs of guitar and strings that encapsulate the amazement yet hollow scariness of space. There’s no ‘Inception’-esque big drums to shudder the seats, the more relaxed score works better than that, lovingly contributing to this brave new world.
All performances are unshakable in this film. Matthew and McConaissance are still in great flow with his leading role sticking more in the calm side of things yet he excels in his grand moments of teary scenes and panicked uncertainty. A scene featuring Matthew McConaughey will no doubt bring some audience members to tears as it nearly did with me, it’s a stunningly real scene, no CGI or sweeping visuals needed. Family and love thrive throughout and he truly shows that in this scene. Anne Hathaway gets more in touch with emotions of the human heart and her interactions with McConaughey are greatly acted, she’s a counter balance to Cooper’s sturdier relaxed manner yet she has moments to shine in realising where they should go. Michael Caine is the man to explain integral parts of the plot, as he so often does and throughout this film he expands on the broken mentality of scientific exploration, becoming even more fragile and weary than his Alfred was in ‘The Dark Knight Rises’. Other cast members play just as important roles in the film, Mackenzie Foy is an actress with superb emotional weight and one performer to keep an eye on. Casey Affleck and Jessica Chastain get differing moments to tell their stories but both are solid actors and Chastain really shines. This isn’t even mentioning the splendour of Jon Lithgow, David Gyasi and some humourous work from robot voices Bill Irwin and Josh Stewart. A magnificent cast to match the magnificence of the film’s visual dazzle and one nicely masked guest spot works fantastically in the story and wow moment.
A very thought provoking drama that serves as a love story more than the clearly obvious science fiction setting. Family, togetherness and instincts of the heart keep cropping up and they make this film more than an average space journey. Even if some of the story tries going places it maybe shouldn’t have and can sometimes feel slightly stuffed with bewildering talk, the majority of Christopher Nolan’s directing feat works rather than not.
‘Interstellar’ will probably only be hugely loved by Nolan or sci-fi fans but I think others can and will like or appreciate that the daring aspects of the adventure are worth it and it scratches ever so near to being a flat out masterpiece.
See the original article (and more) here, on Troy’s site.